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Museum of Fine Arts BostonLast login: 01-06-2012 10:41
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Alcira Master: Allegory of Human Passions

Oil on canvas

Abstract Expressionism
very powerful masterpiece. beautiful. very very powerful

Abstract Expressionism
All these Art Emperors live based on the death Artist’s Legacies with no doubt. While the Artist is alive, even they don't accept his/her call in any time. Please don’t give me wrong. you can test them yourselves. Mail them for a review or exhibition of your artworks, you will find your applications in a trashcan quite soon. They live in nice mansions or a House of Art with proudly call Art Galleries/Museums and the artists are suffering of poverty and struggling to pay the bills to live. Well. That kind of artist will be very lucky if he/she sells some paintings to those Emperors/Art Collectors, and they call him/her back in 5 to ten years if he/she is still alive or death. The good news will be if he/she is death to make some money but tons of money. They take your paintings and make their own stories about them and make them as an iconic painting and that is the time that their lottery matches for a jackpot. Basically, we all work for them for free. When they call their selves the Emperors, another meaning of that is the Slavery Masters. We create works of art until we are alive with no respect or appreciation and the end, they take advantage of them mercilessly. I am not venge it to discuss deeply but reality is the word of Lord. In the whole history of art, Mark Rothko was realized the exact meaning of Art Emperors which I am talking about.

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Liked by 24 users

Artist Probir Chakravarty
Teodora Stoica
Matt Foley
Sławek White
Jenae Bulleri
M.I. - Helen Decker
Riaz Hussain Premjee
Fuangchalerm Sornpala
Elena
carlo grassini
Messe des artistes
EDUARDO CASTRO
Athina Ze
Andrew Grice
bob fox
Gerald Shepherd
Charoula Mathioudaki
Erminio Di Camillo
Alfred Horne
Herman Ells
Jukka Nopsanen
María Amelia Sanchez Pantusa
Avena F.
Annie Kate


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Artist Probir Chakravarty
Riaz Hussain Premjee
de Paula Reca
Avena F.



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