The Art Institute of ChicagoLast login: 15-08-2012 14:29
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Paulus Moreelse: Portrait of a Young Lady

Oil on canvas

Abstract Expressionism
All these Art Emperors live based on the death Artist’s Legacies with no doubt. While the Artist is alive, even they don't accept his/her call in any time. Please don’t give me wrong. you can test them yourselves. Mail them for a review or exhibition of your artworks, you will find your applications in a trashcan quite soon. They live in nice mansions or a House of Art with proudly call Art Galleries/Museums and the artists are suffering of poverty and struggling to pay the bills to live. Well. That kind of artist will be very lucky if he/she sells some paintings to those Emperors/Art Collectors, and they call him/her back in 5 to ten years if he/she is still alive or death. The good news will be if he/she is death to make some money but tons of money. They take your paintings and make their own stories about them and make them as an iconic painting and that is the time that their lottery matches for a jackpot. Basically, we all work for them for free. When they call their selves the Emperors, another meaning of that is the Slavery Masters. We create works of art until we are alive with no respect or appreciation and the end, they take advantage of them mercilessly. I am not venge it to discuss deeply but reality is the word of Lord. In the whole history of art, Mark Rothko was realized the exact meaning of Art Emperors which I am talking about.

María Amelia Sanchez Pantusa
Debe ser comparado, el volado de encaje blanco, con los volados de pinceladas libres que pinto Goya.
Primero se pinta con esta tecnica, que se aprende en un año aproximadamente. Luego hay que aprender a desandar el camino para pintar con las pìnceladas libres.
Esto debe llevar toda la vida hasta obtener una buena obra como las que realizo Goya.
Es inutil, si no se aprende a "observar" no se aprende nada de nada.

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Fabio Prestia
María Amelia Sanchez Pantusa
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